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Idle Moments is an album by American jazz guitarist Grant Green recorded in 1963 and released on the Blue Note label in 1965. [1] It features performances by tenor saxophonist Joe Henderson, vibraphonist Bobby Hutcherson, pianist Duke Pearson, bassist Bob Cranshaw and drummer Al Harewood .
Print/export Download as PDF; Printable version; Help ... Pages in category "Free jazz guitarists" The following 7 pages are in this category, out of 7 total. ...
The following is a list of notable jazz guitar players, including guitarists from related jazz genres such as Western swing, Latin jazz, and jazz fusion. For an article giving a short history, see jazz guitarists .
For a list of the core jazz standards, see the following lists by decade: Before 1920. 1920s. 1930s. 1940s. 1950s and later. For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes . This article includes a list of related items that share the same name (or ...
This is a list of terrestrial, satellite and internet radio stations which identify themselves as playing jazz in any of its forms (mainstream, traditional, fusion, acid, and smooth, among others), or have substantial jazz programming, that can be heard in the United States.
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards ...
Soft Winds" is a 1940 jazz standard composed by Benny Goodman, with lyrics by Fred Royal. [1] Charlie Parker performed it regularly in the 1940s. In 1961, jazz harpist Dorothy Ashby released an album of the same name with the song as the title track, recorded at the Plaza Sound Studios in New York City.