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Tchavolo Schmitt (left) with Steeve Laffont, playing their brand of gypsy jazz at la Chope des Puces, Paris, in 2016. Gypsy jazz (also known as gypsy swing, jazz manouche or hot club-style jazz) is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed by their ...
Minor Swing (composition) 1937 release as a Swing 78. " Minor Swing " is a gypsy jazz tune composed by Django Reinhardt and Stéphane Grappelli. It was recorded by The Quintet of the Hot Club of France in 1937. It was recorded five other times throughout Reinhardt's career and is considered to be one of his signature compositions.
The ragtime progression[ 3 ] is a chord progression characterized by a chain of secondary dominants following the circle of fifths, named for its popularity in the ragtime genre, despite being much older. [ 4 ] Also typical of parlour music, its use originated in classical music and later spread to American folk music. [ 5 ]
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [ 1] For example, if a tune is in the key of C, if there ...
Chords that may be derived from the B Hungarian minor scale are Bm(maj7), C ♯ 7 ♭ 5, Dmaj7 ♯ 5, E ♯ 6sus2 ♭ 5, F ♯ maj7, Gmaj7, G7, A ♯ m6 and more. This scale is obtainable from the double harmonic scale by starting from the fourth degree of that scale, so the C Hungarian minor scale is equivalent to the G double harmonic scale.
The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [citation needed], although it may be found in other types of music as well. It may be derived from the major scale with a minor third, [1 ...
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...
In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression[ 1][ 2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker. This name derives from an assumption that the normal progression to the tonic, the ii-V-I turnaround (ii-V 7 to I ...
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