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Cafêzz was formed in San Juan, Puerto Rico during the summer of 2014 by pianist Carmen Noemí and bassist Edgardo "Egui" Sierra, after completion and release of their Music & Friends CD. Their first formal performance was on August 13, 2014, during the Music & Friends release party [1][2] at Downtown Bar & Grill in Hato Rey, Puerto Rico.
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [200]
This chapter begins by pointing out the way that technological developments (radio and recordings), and the economic lift they provided to musicians, generated crosscurrents in jazz, resulting in a move towards jazz orchestras, the big bands, by the end of the 1920s. Schuller then considers two sites of big band activity: New York and Kansas City.
—F. Scott Fitzgerald, "Echoes of the Jazz Age" "Echoes of the Jazz Age" is a short essay by American writer F. Scott Fitzgerald that was first published in Scribner's Magazine in November 1931. The essay analyzes the societal conditions in the United States which gave rise to the raucous historical era known as the Jazz Age and the subsequent events which led to the era's abrupt conclusion ...
Kenneth Charles Marion Rexroth (December 22, 1905 – June 6, 1982 [1]) was an American poet, translator, and critical essayist. He is regarded as a central figure in the San Francisco Renaissance, and paved the groundwork for the movement. [2][3] Although he did not consider himself to be a Beat poet, and disliked the association, he was ...
One of the first major bebop groups in South Africa in the 1950s was the Jazz Epistles. [2] This group consisted of trombonist Jonas Gwangwa, trumpeter Hugh Masekela, saxophonist Kippie Moeketsi, and pianist Abdullah Ibrahim (then known as Dollar Brand). This group brought the sounds of United States bebop, created by artists such as Dizzy ...
Hubert Laws (born November 10, 1939) [1] is an American flutist and saxophonist with a career spanning over 50 years in jazz, classical, and other music genres.Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. [2]
1970s in jazz. In the 1970s in jazz, jazz became increasingly influenced by Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments (piano, double bass, etc.).