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Teen pop is a subgenre of pop music that is created, marketed and oriented towards preteens and teenagers. [ 1][ 7] Often, the artists themselves are teenagers during their breakout. While it can involve influences from a wide array of musical genres, it remains a subset of commercial pop, focusing on catchy melodies and marketability. [ 7]
The 2001 book Bubblegum Music Is the Naked Truth rules out teen pop or boy bands as inherently bubblegum and defines the term as: "the classic bubblegum era from 1967–1972" "disposable pop music" "pop music contrived and marketed to appeal to pre-teens" "pop music produced in an assembly-line process, driven by producers and using faceless ...
Backstreet Boys. Bardot (Australian band) B*Witched. Blink Indonesia. Boys World. Boyzone. Bros (British band)
Neither instance typified the usual teen-pop phenom strategy — in other words, music designed, even in its dourest hours, for dance floor consumption or cry-in-the-night radio reflection.
List of best-selling music artists. The following list of best-selling music artists includes musical artists from the 20th century to the present with claims of 75 million or more record sales worldwide. The sales figures are calculated based on the formula detailed below. The tables are listed with each artist's claimed sales figure (s) and ...
Tiffany Darwish. Tiffany Renee Darwish[ 1] (born October 2, 1971), [ 2] known mononymously as Tiffany, is an American pop singer. Her 1987 cover of the Tommy James and the Shondells song "I Think We're Alone Now" spent two weeks at No. 1 on the Billboard Hot 100 chart, and was released as the second single from her debut studio album Tiffany .
In January 2015, Carpenter released "We'll Be the Stars". [29] It served as the lead single for her debut studio album Eyes Wide Open, which was released on April 14, 2015, and peaked at number 43 on the Billboard 200. [30] The album is primarily a teen-pop album with elements of pop folk. [31]
When describing popular music artists, honorific nicknames are used, most often in the media or by fans, to indicate the significance of an artist, and are often religious, familial, or most frequently royal and aristocratic titles, used metaphorically. Honorific nicknames were used in classical music in Europe even in the early 19th century ...