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Donna Lee is a bebop jazz standard attributed to Charlie Parker, but possibly composed by drummer Norman "Tiny" Khan and taught to Miles Davis. Learn about its authorship, recordings, name origin, and Grammy award.
Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II 7 ...
Lady Bird" is a sixteen-bar jazz standard by Tadd Dameron. This "celebrated" composition, "one of the most performed in modern jazz", was written around 1939, [ 1 ] and released in 1948. [ 2 ] Featuring, "a suave, mellow theme ," [ 3 ] it is the origin of the Tadd Dameron turnaround (in C: CM 7 E ♭ 7 A ♭ M 7 D ♭ 7 CM 7 ). [ 4 ]
A 1947 jazz composition by Thelonious Monk in honor of his friend Bud Powell. Learn about the song's inspiration, chord progression, recordings and covers by other artists.
Learn about jazz chords, how they are used in composition, improvisation and harmony, and how they differ from classical and pop chords. Find out the intervals, extensions and nomenclature of jazz chords, and see examples of common and altered chords.
Spain is a jazz fusion composition by pianist Chick Corea, inspired by Spanish flamenco guitarist Paco de Lucía. It features the adagio from Joaquín Rodrigo's Concierto de Aranjuez and has been recorded by many artists, including Stevie Wonder and Béla Fleck.
Coltrane changes are a pattern of chord substitutions for the ii–V–I progression, named after jazz musician John Coltrane who popularized them. They involve root movement by major thirds, creating augmented triads and modulation by thirds, and have influences from Indian ragas, Ravel, and other sources.
When jazz guitar players improvise, they use the scales, modes, and arpeggios associated with the chords in a tune's chord progression. The approach to improvising has changed since the earliest eras of jazz guitar. During the Swing era, many soloists improvised "by ear" by embellishing the melody with ornaments and passing notes.
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