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Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
A style of jazz piano which incorporates left hand techniques from ragtime music, except the left hand spans a greater distance on the keyboard. 1920s -> Swing: Big band arrangements, always swung. Pioneered by Duke Ellington, Count Basie, and Benny Goodman. 1930s–1950s Third stream: The fusion of the jazz stream and classical stream. 1950s ...
One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.
This is a glossary of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound ...
Art Tatum. Arthur Tatum Jr. (/ ˈteɪtəm /, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest ever. [1][2] From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum also extended jazz piano's vocabulary and boundaries far beyond his ...
The Original Dixieland Jazz Band, whose members were white, were the first jazz group to record, and Bix Beiderbecke was one of the most prominent jazz soloists of the 1920s. [29] The Chicago Style was developed by white musicians such as Eddie Condon , Bud Freeman , Jimmy McPartland , and Dave Tough .
The Raincoats employed a diverse selection of cheap second-hand instruments such as the balophone, kalimba and gamelan on Odyshape, and the album incorporated British folk, dub basslines, polyrhythmic percussion and elements of free jazz among other world music influences. Its eclectic mix of musical genres has been described as one of the ...
Notated glissando from E 4 to E 5. In music, a glissando (Italian: [ɡlisˈsando]; plural: glissandi, abbreviated gliss.) is a glide from one pitch to another (Play ⓘ). It is an Italianized musical term derived from the French glisser, "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between ...