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1920s in jazz. The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. [1] Dances such as the Charleston and the Black Bottom were very popular during ...
Allowing jazz to rise up in American culture brought many unique things to music in 1920. New instrumental, orchestral, and rhythmic techniques were introduced, as well as twelve-bar blues, emotional expressiveness, a new scale, and unique forms (Murchison 98). In 1917, many jazz record companies began to conceal their identity because racial ...
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in wider ...
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards ...
For a list of the core jazz standards, see the following lists by decade: Before 1920. 1920s. 1930s. 1940s. 1950s and later. For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes . This article includes a list of related items that share the same name (or ...
Gene Austin, Roy Bergere. " How Come You Do Me Like You Do? " is a song written by vaudeville comedy duo Gene Austin and Roy Bergere in 1924. It has later been covered by many artists, and is considered a jazz standard. [1] Austin and Bergere were a vaudeville comedy duet act performing in the East and Midwest.
Chopteeth - afrobeat. Crescent Super Band - Jazz, Jump Swing, Modern Big Band, Swing Revival, Great American Songbook. Columbus Jazz Orchestra. Kenny Clarke/Francy Boland Big Band. Clayton-Hamilton Jazz Orchestra. Ray Conniff. Spade Cooley - jazz, swing. Coon-Sanders Original Nighthawk Orchestra. Del Courtney.
Nagasaki (song) "Nagasaki" is an American jazz song by Harry Warren and Mort Dixon from 1928 and became a popular Tin Pan Alley hit. The silly, bawdy lyrics have only the vaguest relation to the Japanese port city of Nagasaki; part of the humor is realising that the speaker obviously knows very little about the place, and is just making it up.