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In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker. This name derives from an assumption that the normal progression to the tonic, the ii-V-I turnaround (ii-V 7 to I ...
Rhythm changes. Rhythm changes is a common 32- bar jazz chord progression derived from George Gershwin 's "I Got Rhythm". The progression is in AABA form, with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 ...
These chord shapes can be moved across the fretboard, unlike the chord shapes of standard tuning. More movable chord-shapes. In all guitar tunings, the higher-octave version of a chord can be found by translating a chord by twelve frets higher along the fretboard. In every regular tuning, for example in all-fourths tuning, chords and intervals ...
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C, if there ...
Nesuhi Ertegün. " Giant Steps " is a jazz composition by American saxophonist John Coltrane. [1] It was first recorded in 1959 and released on the 1960 album Giant Steps. [2] The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists.
Taimane Tauiliili Bobby Gardner, [1] (born February 13, 1989) who often performs under the mononym Taimane, is an American ukulele virtuoso and composer. In 2019, she won a Nā Hōkū Hanohano award, for Favorite Entertainer of the Year. [2] In 2019, Taimane Gardner's song, Water, from her album, Elemental was nominated for Instrumental ...
The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother ...
Outside (jazz) In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality.
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