Search results
Results From The WOW.Com Content Network
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
Jazz, blues, and rock are almost always based on chord progressions (a sequence of changing chords), and they use the changing harmony to build tension and sustain listener interest. Unlike these music genres, funk is based on the rhythmic groove of the percussion, rhythm section instruments, and a deep electric bass line, usually all over a ...
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of ...
Giant Steps (composition) " Giant Steps " is a jazz composition by American saxophonist John Coltrane. [1] It was first recorded in 1959 and released on the 1960 album Giant Steps. [2] The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many ...
Backdoor compared with the dominant (front door) in the chromatic circle: they share two tones and are transpositionally equivalent. In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker.
Rose Room. Art Hickman's Orchestra playing "Rose Room" c. 1919. " Rose Room ", also known as " In Sunny Roseland ", is a 1917 jazz standard, music by Art Hickman, lyrics by Harry Williams. It is almost always performed as an instrumental. Composed at a time when the popularity of ragtime was fading in favor of thirty-two-bar form and twelve-bar ...
Unit 7 is a jazz composition by bassist Sam Jones originally composed for the 1962 album Nancy Wilson/Cannonball Adderley.[1][2][3][4] It's also known as "Cannon's Theme." [5]
"Maiden Voyage" opening vamp: Dsus chord in D Dorian, [1] or mixolydian. [2] Play ⓘ "Maiden Voyage" is a jazz composition by Herbie Hancock from his 1965 album Maiden Voyage.It features Hancock's quartet – trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams – together with saxophonist George Coleman.