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Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, bandleader, and composer. [1] Parker was a highly influential soloist and leading figure in the development of bebop, [2] a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies.
The Dazzle ships of the 14–18 NOW project are artworks created to commemorate the work of the artists and artisans who developed and designed the dazzle camouflage used in the First World War by ships as a defence against U-boat attack. Dazzle camouflage involved covering a ship's hull with bespoke geometric patterns in contrasting colours ...
Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it ...
Writing for AllMusic, Scott Yanow wrote, "The tenor-trombone frontline created by Wilton Felder and Henderson, along with the funky yet swinging playing of pianist Joe Sample, drummer Stix Hooper and bassist Jimmy Bond on this hard-to-find set made the group instantly recognizable and surprisingly popular from the start".
Pages in category "Free jazz guitarists". The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes.
Big Fun is an album by American jazz trumpeter Miles Davis. [2] It was released by Columbia Records on April 19, 1974, and compiled recordings Davis had made in sessions between 1969 and 1972. It was advertised as a new album with "four new Miles Davis compositions" [3] One of three Davis albums released in 1974 and largely ignored, it was ...
"Jazz is not a 'form' but a collection of tags and tricks." Ernest Newman. The Sunday Times, "The World of Music", 4 September 1927. "What makes the performance is the dialogue created between you and everybody around you spontaneously. And you have to interact with everybody up there, interacting and reacting, throwing out ideas.
1950s in jazz. By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly ...