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Digital cinema. Digital cinema refers to the adoption of digital technology within the film industry to distribute or project motion pictures as opposed to the historical use of reels of motion picture film, such as 35 mm film. Whereas film reels have to be shipped to movie theaters, a digital movie can be distributed to cinemas in a number of ...
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
History of film technology. The history of film technology traces the development of techniques for the recording, construction and presentation of motion pictures. When the film medium came about in the 19th century, there already was a centuries old tradition of screening moving images through shadow play and the magic lantern that were very ...
Digital Cinema Initiatives, LLC (DCI) is a consortium of major motion picture studios, formed to establish specifications for a common systems architecture for digital cinema systems. The organization was formed in March 2002 by Metro-Goldwyn-Mayer, [a] Paramount Pictures, Sony Pictures, 20th Century Studios, [b] Universal Studios, Walt Disney ...
A digital imaging technician (DIT) was created for the motion picture industry in response to the transition from the long established film movie camera medium into the current digital cinema era. [1] The DIT is the camera department crew member who works in collaboration with the cinematographer on workflow, systemization, camera settings ...
A Digital Cinema Package (DCP) is a collection of digital files used to store and convey digital cinema (DC) audio, image, and data streams. The term was popularized by Digital Cinema Initiatives, LLC in its original recommendation [1] for packaging DC contents. However, the industry tends to apply the term to the structure more formally known ...
The Society of Motion Picture and Television Engineers (SMPTE) (/ ˈ s ɪ m p t iː /, rarely / ˈ s ʌ m p t iː /), founded in 1916 as the Society of Motion Picture Engineers or SMPE, [1] is a global professional association of engineers, technologists, and executives working in the media and entertainment industry.
The Division of Cinema & Media Studies (CaMS) is the central hub for film theory at the USC School of Cinematic Arts. The current Chair is Priya Jaikumar. Notable faculty members of the Cinema and Media Studies department include Todd Boyd and Drew Casper. Prior to his 2019 retirement, Casper was the 3rd-highest paid professor in the University ...
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