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Dazzle (song) " Dazzle " is a song by the English post-punk band Siouxsie and the Banshees. It was released on 25 May 1984 by Polydor Records as the second single from their sixth studio album, Hyæna.
Roberta Joan "Joni" Mitchell CC (née Anderson; born November 7, 1943) is a Canadian-American singer-songwriter, multi-instrumentalist, and painter.As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions which grew to incorporate pop and jazz elements. [1]
" Home " is a song by Canadian singer Michael Bublé, and released on January 24, 2005, as the first single from his fourth studio album, It's Time. The song was written by Bublé, along with co-writers Alan Chang and Amy Foster-Gillies. Bublé's version was a number-one single on the Adult Contemporary chart formats of both Canada and the United States, in addition to certifying platinum in ...
Jordu " Jordu " is a jazz standard written by Irving "Duke" Jordan in 1953. This song was first made popular by Clifford Brown and Max Roach, but many other jazz musicians have performed or recorded renditions of it, including Stan Getz, Chet Baker, and Charlie Byrd.
Take Five. " Take Five " is a jazz standard composed by Paul Desmond. It was first recorded in 1959 and is the third track on Time Out by the Dave Brubeck Quartet. [1][2] Frequently covered by a variety of artists, the track is the biggest-selling jazz song of all time and a Grammy Hall of Fame inductee. Dave Brubeck was inspired to create an ...
" Eli's Comin ' " is a song written and recorded in 1967 by American singer-songwriter and pianist Laura Nyro. [1] The song was first released in 1968 on Nyro's album, Eli and the Thirteenth Confession.
Play ⓘ. " Maiden Voyage " is a jazz composition by Herbie Hancock from his 1965 album Maiden Voyage. It features Hancock's quartet – trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams – together with saxophonist George Coleman. It is one of Hancock's best-known compositions and has become a jazz standard.
"Un Poco Loco" is in thirty-two bar form. [4] It uses the lydian scale, incorporating chords overlapping chords to imply a polytonality (D major 7 over C major 7: CEGBDF#AC#) with the improvisation based on an alternating polytonality and an altered dominant chord. Particularly remarkable to jazz musicians is the placement of C# against a C major 7 chord; James Weidman attributed this to ...