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Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
Weather Report was an American jazz fusion band active from 1970 to 1986. The band was founded in 1970 by Austrian keyboardist Joe Zawinul, American saxophonist Wayne Shorter, Czech bassist Miroslav Vitouš, American drummer Alphonse Mouzon as well as American percussionists Don Alias and Barbara Burton. The band was initially co-led by Zawinul ...
Tenor saxophone. Years active. 1970s–present. Website. scotthamiltonsax.com. Scott Hamilton (born September 12, 1954) [1] is an American jazz tenor saxophonist associated with swing and straight-ahead jazz. His eldest son, Shō Īmura, is the vocalist of the Japanese rock band Okamoto's. [2][3]
Eric Alexander 2008 Eric Alexander (2012 in Denmark). Eric Alexander (born August 4, 1968) [1] is an American jazz saxophonist, composer, and educator. Having placed second at the 1991 Thelonious Monk International Jazz Saxophone Competition behind Joshua Redman and ahead of Chris Potter and Tim Warfield, he was soon signed by a record label and has since recorded over 20 albums as a leader ...
Regina Carter at Bach Dancing & Dynamite Society, Half Moon Bay CA 3/1/20. Carter returned to the U.S. and first came into the spotlight as the violinist for the all female pop-jazz quintet Straight Ahead in 1987, [5] with Cynthia Dewberry, Gayelynn McKinney, Eileen Orr, and Marion Hayden.
Rating. Allmusic. [1] Down Beat. [2] Boss Tenors (subtitled Straight Ahead from Chicago August 1961) is an album by saxophonists Gene Ammons and Sonny Stitt recorded in Chicago in 1961 and originally released on the Verve label. [3]
Ron Carter, 2008. He is the most-recorded bassist in jazz history, with appearances on over 2,200 albums. [1]This list of jazz bassists includes performers of the double bass and since the 1950s, and particularly in the jazz subgenre of jazz fusion which developed in the 1970s, electric bass players.
In 1973, Baker decided to attempt a comeback. Returning to the straight-ahead jazz that began his career, he drove to New York to perform again. [8] In 1974, the India Navigation label released a live album of performances with saxophonist Lee Konitz. She Was Too Good to Me, released by CTI Records that same year, is considered a comeback album.