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The Yamaha NS-10 is a loudspeaker that became a standard nearfield studio monitor in the music industry among rock and pop recording engineers. Launched in 1978, the NS-10 started life as a bookshelf speaker destined for the domestic environment. It was poorly received but eventually became a valuable tool with which to mix rock recordings.
Studio monitor Little Gold Monitor (c. 1990) from Tannoy with two-way-coaxial construction, meaning the tweeter for frequencies from 1.400 Hz and above is located independently in the center of the 30 cm bass driver Tannoy, Dynaudio, Genelec, and K+H studio monitors
LS3/5A. The LS3/5A (each element pronounced separately, without the stroke) is a small studio monitor loudspeaker originated by the BBC for use by outside broadcast vans to ensure quality of their broadcasts. The speaker concept set out transparent and natural sound as the goal, and the achievement of the result is widely acknowledged.
Typically, the speaker would be covered with a metal grille to protect it. A stage monitor system is a set of performer-facing loudspeakers called monitor speakers, stage monitors, floor monitors, wedges, or foldbacks on stage during live music performances in which a sound reinforcement system is used to amplify a performance for the audience.
This is a list of notable manufacturers of studio monitors. ... HEDD Audio: Germany 05, 07, 20, 30 JBL: United States: 3 series, Control KRK: United States: Rokit, V ...
A line of studio monitor speakers was created in 1991. [15] In 1996, Yorkville introduced the "TX" line of concert touring loudspeakers. [14] In 2001, Yorkville contracted with designer Tom Danley to create the "Unity" line of loudspeakers which was introduced in 2003. The Unity design was licensed from Danley's company Sound Physics Labs. [17]
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