Search results
Results From The WOW.Com Content Network
Many of the performances took place in renowned jazz venues, such as the prestigious Dazzle Jazz Club in Denver (a sold-out event), the Ice House in Minneapolis and Blue Bamboo in Orlando. As part of the tour, Cafêzz participated in two special concerts, one of them at “Lamuza Parkeko Kasinoak” in Basque Country; [13] the other at the ...
The Jazz Review was a jazz criticism magazine founded by Nat Hentoff and Martin Williams in New York City in 1958. It was published until 1961. Hentoff and Williams were co-editors throughout its brief existence (which lasted 22 issues). Many issues of The Jazz Review are available at Jazz Studies Online, which assesses its quality as follows:
Dazzle Multimedia also sold an internal, PCI-card version of the Dazzle, under the name Snazzi.: 73 Dazzle Multimedia was acquired in majority by SCM Microsystems, a German-American technology company, in 1999. The first Dazzle recorder to support USB was the Digital Video Creator (DVC) 50 and 80 models, first released in March 2001.
Revel Presents: Beyoncé Live (also called Back to Business) was the third concert residency by American recording artist Beyoncé.Announced in March, and held during four consecutive nights in May 2012 in Atlantic City, New Jersey, the concerts were part of the opening of the new entertainment resort, hotel, casino and spa, Revel.
Here's another adorable dog nailing the 'bad dog' trend.
In his review for About.com, Ben Norman wrote that "with the release of Unexpected, Williams has welcomed R&B back into her arms with a modern edge, a la Rihanna and Chris Brown, infusing her soulful lyrics with party beats and dance-like synths [...] this album fits nicely into a lot of musical niches, making it a good addition to most ...
The Los Angeles premiere of Bad Boys: Ride or Die was a family affair for Will Smith. Smith, 55, was joined by the whole Smith clan for the red carpet event on Thursday, May 30, including his wife ...
The 1954 session. The 1954 session was Davis accompanied by members of the Modern Jazz Quartet, and Thelonious Monk.Notable as the only time Thelonious Monk made a studio recording with Davis—the two men did not get on well, as Davis felt Monk ought to be "laying out" (refraining from playing) during the trumpeter's solos—this session also resulted in the title track to Bags' Groove.