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The New York City Jazz Record is a monthly New York City based publication that includes features, reviews and concert announcements regarding jazz music. It is available in print form (black and white hardcopy) as well as online at www.nycjazzrecord.com (in full color). It was launched in May 2002 by co-founders Laurence Donohue-Greene ...
Sunday at the Village Vanguard. (1961) Waltz for Debby. (1961) Sunday at the Village Vanguard is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time.
Jazz Standard was a jazz club located at 116 East 27th Street in the Rose Hill neighborhood of Manhattan, New York City. It frequently hosted well-known bands and musicians. The club was owned by restaurateur Danny Meyer and was located in the basement of one of his Blue Smoke restaurants. The Mingus Big Band, the Mingus Orchestra, and Mingus ...
Bill Frisell. William Richard Frisell (born March 18, 1951) is an American jazz guitarist. [1] He first came to prominence at ECM Records in the 1980s, as both a session player and a leader. [2] He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working ...
Jazzhouse. Jazzhouse is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Jazzhus Montmartre in Copenhagen in 1969 but not released until the 1980s on the Milestone label. [1] The same concert also produced the album You're Gonna Hear From Me .
Live at the Public Theater (New York 1980) is a live album by jazz composer, arranger, conductor and pianist Gil Evans recorded in New York in 1980 by Evans with an orchestra featuring Arthur Blythe, Hamiet Bluiett, and Lew Soloff and originally released from Japanese Trio label in two volumes. [1] Integrated version was first released in 1986 ...
In 1949, a record label, Roost Records, was founded by Arthur Faden, Bill Faden, Monty Kay and Ralph Watkins, which recorded many of the musicians who performed at the club. In September 1948, Miles Davis debuted his nonet at the club, a project that would eventually give rise to the seminal cool jazz album Birth of the Cool. By the early 1950s ...
The Jazz at the Lake: Lake George Jazz Weekend was started in 1984 in upstate New York by artistic director and host Paul Pines, "poet of jazz" [1] and founder of The Tin Palace jazz nightclub, and program director John Strong. Presented by the Lake George Arts Project, this free festival weekend of contemporary jazz, featuring nationally ...