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An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music, and blues chord progressions. Jump blues drew on boogie-woogie from the 1930s. Kansas City Jazz in the 1930s as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s. These ...
74. Opened. 1994. (1994) Website. smallslive.com. Smalls Jazz Club is a jazz club at 183 West 10th Street, Greenwich Village, New York City. [1][2] Established in 1994, [3] it earned a reputation in the 1990s as a "hotbed for New York's jazz talent" with a "well-deserved reputation as one of the best places in the city to see rising talent in ...
James Blood Ulmer Black Rock Experience at Jazz club Unterfahrt in 2013.. In the 2010s in jazz, there was a noted resurgence in the popularity of jazz, particularly in the United Kingdom, where new artists rose to prominence such as Sons of Kemet, Shabaka Hutchings, Ezra Collective, and Moses Boyd [1] [2] [3] Young audiences overall also listened jazz moreso than before, with streaming ...
Jazz Age. The Jazz Age was a period in the 1920s and 30s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in ...
In the 1980s in jazz, the jazz community shrank dramatically and split. A mainly older audience retained an interest in traditional and straight-ahead jazz styles. Wynton Marsalis strove to create music within what he believed was the tradition, creating extensions of small and large forms initially pioneered by such artists as Louis Armstrong ...
Brussels 1964. (1964) The Most Important Jazz Album of 1964/65. (1964) Baby Breeze. (1964) The Most Important Jazz Album of 1964/65 is an album by trumpeter/vocalist Chet Baker which was recorded in 1964 and released on the Colpix label. [1][2][3]
Elsewhere, with the limitations on recording, small groups of young musicians developed a more uptempo, improvisational style of jazz, [137] collaborating and experimenting with new ideas for melodic development, rhythmic language, and harmonic substitution, during informal, late-night jam sessions hosted in small clubs and apartments.
The jazz studies were closed by The Nazis in 1933. [2][3][4] The first mass-produced jazz records came out in the United States in 1917. By January 1920, "Tiger Rag" had already been marketed by a German record company. In the early 1920s, the clarinetist and saxophonist Eric Borchard was making recordings in Germany.