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"Jazz is not a 'form' but a collection of tags and tricks." Ernest Newman. The Sunday Times, "The World of Music", 4 September 1927. "What makes the performance is the dialogue created between you and everybody around you spontaneously. And you have to interact with everybody up there, interacting and reacting, throwing out ideas.
Cold hands, warm heart [a] Comparisons are odious [a] Count your blessings [a] Courage is the measure of a Man, Beauty is the measure of a Woman [a] Cowards may die many times before their death [a] Crime does not pay [a] Cream rises. Criss-cross, applesauce [a] Cross the stream where it is shallowest.
The song was written in 1948 [1] while Carter, Ellis and Frigo were part of The Soft Winds, a group they created after leaving Jimmy Dorsey 's orchestra. The lyrics compare love's progress to a motor trip. Credit for music and lyrics is to Carter, Frigo, and Ellis, based on their mutual agreement when the Soft Winds trio was formed that the ...
These are not merely catchy sayings. Even though some sources may identify a phrase as a catchphrase, this list is for those that meet the definition given in the lead section of the catchphrase article and are notable for their widespread use within the culture. This list is distinct from the list of political catchphrases.
A Gentle Reminder. Jazz took to social media to share a body-positivity message for all her followers. “Every body is beautiful ️ To look at someone’s body and say ‘this is not beautiful ...
This is a glossary of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound ...
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
Jive talk, also known as Harlem jive or simply Jive, the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip [1] is an African-American Vernacular English slang or vocabulary that developed in Harlem, where "jive" was played and was adopted more widely in African-American society, peaking in the 1940s.