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Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that ...
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) [1] was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation.
Jordan read transcribed solos in Down Beat magazine but also learned Parker's music by ear. [2] He credits Illinois Jacquet with first giving him the idea of playing free improvisation, but was more profoundly affected by the free jazz of Ornette Coleman (who had previously performed in the area with blues bands). [2]
Cecil Percival Taylor (March 25, 1929 – April 5, 2018) [1][2][3] was an American pianist and poet. [4][5] Taylor was classically trained and was one of the pioneers of free jazz. His music is characterized by an energetic, physical approach, resulting in complex improvisation often involving tone clusters and intricate polyrhythms.
Sheets of sound. Sheets of sound was a term coined in 1958 by DownBeat magazine jazz critic Ira Gitler to describe the new, unique improvisational style of John Coltrane. [1] [2] Gitler first used the term on the liner notes for Soultrane (1958). [3]
A− [6] Free Jazz: A Collective Improvisation is an album by the jazz saxophonist and composer Ornette Coleman. It was released through Atlantic Records in September 1961: the fourth of Coleman's six albums for the label. Its title named the then-nascent free jazz movement.
Free improvisation, as a genre of music, developed primarily in the U.K. as well as the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and contemporary classical music. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros ...