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The album groups things into clear groups: original songs, original score and familiar standards. Within the film itself, things unfold in a very different (and equally deliberate) order. Justin Hurwitz’s score sets the mood with a chirpy overture, full of dancing saxophones and parping trumpets.
La La Land is a 2016 American musical romantic comedy-drama film written and directed by Damien Chazelle.It stars Ryan Gosling and Emma Stone as a struggling jazz pianist and an aspiring actress who meet and fall in love while pursuing their dreams in Los Angeles.
Chicago is a 2002 American musical crime comedy film based on the 1975 stage musical of the same name which in turn originated in the 1926 play of the same name. It explores the themes of celebrity, scandal, and corruption in Chicago during the Jazz Age. [4]
“The beauty of theater is that you get to try new things every night,” she tells The Associated Press. “That’s what I used to love about doing theater. And that’s what I hope that I can ...
For instance, it wasn't fun at all when Grot drags me by the hair, to have me burned at the stake. Once I even fainted: during the transformation scene, Maria, as the android, is clamped in a kind of wooden armament, and because the shot took so long, I didn't get enough air."
The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...
"The quest to make jazz more relevant to popular audiences, while retaining its artistic integrity, is a constant and prevalent theme in the history of postwar jazz." [137] During its swing period, jazz had been an uncomplicated musical scene; according to Paul Trynka, this changed in the post-war years: Suddenly jazz was no longer straightforward.
Dazzle Ships met with critical praise upon its initial re-release in 2008. [37] [38] Tom Ewing of Pitchfork wrote, "Luckily, you don't need a contrarian streak to love it... history has done its own remix job on Dazzle Ships, and the result is a richer, more unified album than anyone in 1983 could have imagined."