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Jazz Sonata, for piano A Jazz Symphony Piano Sonata No. 4 "Jazz" Malcolm Arnold: 1954 1959 1974 Concerto for Harmonica and Orchestra, Op. 46 Concerto for Guitar and Orchestra, Op. 67 Concerto No. 2 for Clarinet and Orchestra, Op. 115 Larry Austin: 1960 1961 1971 Fantasy on a Theme by Berg, for jazz orchestra: 5 saxs, 5 tpts, 4 trbns, perc set ...
The band started when Brown and Roach rented a studio in California. With Brown able to play piano and drums in addition to trumpet, the co-leaders could experiment extensively with these instruments in the studio. They settled on the standard bebop quintet of trumpet, saxophone, piano, bass, and drums, with sax, piano, and bass players needed.
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards ...
1940. Trumpeter Dizzy Gillespie was one of the leading figures of bebop. Standards composed by him include "A Night in Tunisia" (1942), "Woody N' You" (1942), and "Groovin' High" (1944). "After Hours" [4] is a song composed by Avery Parrish with lyrics by Robert Bruce and Buddy Feyne.
The following is an alphabetical list of jazz trumpeters This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Impulse! Clark Virgil Terry Jr.[1] (December 14, 1920 – February 21, 2015) [2] was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), [3] Duke Ellington (1951–59), [3] Quincy Jones (1960), and Oscar Peterson (1964–96).
Leon Bismark "Bix" Beiderbecke (/ ˈ b aɪ d ər b ɛ k / BY-dər-bek; [1] March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer.. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like ...
Romance ( Partant pour la Syrie) Romance ( Vous me quittez) Russiches Volklied (Schöne Minka ich muss scheiden) Melodie (Im Arm der Liebe ruht sichs so wohl) Melodie (An Alexis send' ich dich) Melodie (Nimm diess kleine Angedenken) Variations on a Favorite Theme, Op. 57. Serenade No.3, Op.63 PDF. 4th Serenade, Op. 96.
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