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Free Jazz: A Collective Improvisation is an album by the jazz saxophonist and composer Ornette Coleman. It was released through Atlantic Records in September 1961: the fourth of Coleman's six albums for the label. Its title named the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New ...
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that ...
Ascension is a jazz album by John Coltrane recorded in June 1965 and released in 1966. It is considered a watershed in Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works. In addition, it signaled Coltrane's interest in moving away from ...
Ornette Coleman. Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) [1] was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony ...
Life and career. Waters was born in Iowa on March 11, 1946. She started singing semi-professionally in high school. After school, she sang for the Jerry Gray Hotel Jazz Band. Her family moved to Denver and she started listening to Billie Holiday, whose life and singing had a profound influence on her. [1]
The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...
Jazz musician and composer. Joseph Arthurlin Harriott (15 July 1928 – 2 January 1973) [1] was a Jamaican jazz musician and composer, whose principal instrument was the alto saxophone. Initially a bebopper, he became a pioneer of free-form jazz. Born in Kingston, Harriott moved to the United Kingdom as a working musician in 1951 and lived in ...
We Insist! is an avant-garde jazz album and a vocal-instrumental suite on themes related to the Civil Rights Movement. [8] It incorporates aspects of avant-garde trends during the 1960s, including the use of a pianoless ensemble, screaming vocals on "Protest", and moments of collective improvisation, such as at the end of "Tears for Johannesburg". [9]
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