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List of set classes. Ninth chord. Open chord. Passing chord. Primary triad. Quartal chord. Root (chord) Seventh chord. Synthetic chord.
List of chord progressions. The following is a list of commonly used chord progressions in music . Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.
Plot. In 1925, a piano teacher shows his student the "devil's chord", which summons a being called Maestro, who consumes the teacher's musical essence, killing him in the process. Maestro then breaks the fourth wall, looking into the camera before playing the opening notes of the Doctor Who theme music. At Ruby's request, the Doctor takes her ...
The notes A ♭ and F serve as upper leading-tones back to G and E (when the chord moves to the tonic, C major), respectively, rather than B ♮ and F serving as the lower and upper leading-tones to C and E in a conventional G7-C major (V7-I) cadence. A backdoor IV-V is also possible, moving from ♭ VI M7 to ♭ VII 7 to I. This is also ...
List of musical symbols. Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
A '50s progression in C. The '50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3] : 204 and the " ice cream changes " [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is: I–vi–IV–V.
Common jazz parlance refers to upper structures by way of the interval between the root of the bottom chord and the root of the triad juxtaposed above it. [2] For instance, in example one above (C 7♯9) the triad of E ♭ major is a (compound) minor 3rd away from C (root of the bottom chord). Thus, this upper structure can be called upper ...
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