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That was the start of a more than 50 year working relationship as Bennett's "man behind the music" on many Grammy Award-winning studio recordings, and touring with Bennett for many years. Sharon found the song "I Left My Heart in San Francisco" for Bennett, a year after placing the sheet music in a bureau and forgetting about it. Sharon ...
Chicago: Music from the Miramax Motion Picture is a soundtrack album featuring all of the original songs of the 2002 Best Picture Academy Award-winning musical film Chicago starring Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, John C. Reilly, Mýa Harrison and Christine Baranski.
A Jazz.com review notes that the title track, "Night Train," is evidence of Peterson's ability to balance musical innovation with popular appeal, as demonstrated throughout the album: "By using the basic elements of crescendo and diminuendo, and arranged sections to set off the parts, Peterson turns what could have been a throwaway into a minor masterpiece."
Robert Glasper straddles two distinct worlds. He is an accomplished jazz pianist who was signed to Blue Note Records in his mid-twenties. Additionally, he works with many hip-hop and R&B artists, both in the studio and on the stage, including Q-Tip, Mos Def, and Maxwell.
"Dazzle" was released in a shorter and slightly different radio edit version on 25 May 1984 by Polydor Records as the second single from the band's sixth studio album, Hyæna. It climbed to number 33 on the UK Singles Chart and was Siouxsie and the Banshees' 11th top 40 UK hit.
The blues has it all; basic rhythmic quality, genuine lyric content, essential and basic chord structure and maybe above all else, personality. Blues and jazz are inseparable." [14] Bostic's recording career was diverse and it included small group swing-based jazz, big band jazz, jump blues, organ-based combos and a string of commercial successes.
Jazz bassist Jaco Pastorius recorded a version of "Donna Lee" on bass guitar, with Don Alias on congas, for his debut album Jaco Pastorius (1976). [1] His friend Pat Metheny called this version "astounding" because of its "hornlike phrasing that was previously unknown to the bass guitar" and "one of the freshest looks at how to play on a well ...
Serge Chaloff (November 24, 1923 – July 16, 1957) [1] was an American jazz baritone saxophonist.One of bebop's earliest baritone saxophonists, [2] Chaloff has been described as 'the most expressive and openly emotive baritone saxophonist jazz has ever witnessed' with a tone varying 'between a light but almost inaudible whisper to a great sonorous shout with the widest but most incredibly ...