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Donna Lee. "Donna Lee" is a jazz standard tune attributed to Charlie Parker, although Miles Davis has also claimed authorship. [1][2] Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". [1] Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a ...
Miles Ahead is an album by Miles Davis that was released in October 1957 by Columbia Records. [1][2] It was Davis' first collaboration with arranger Gil Evans following the Birth of the Cool sessions. Along with their subsequent collaborations Porgy and Bess (1959) and Sketches of Spain (1960), Miles Ahead is one of the most famous recordings ...
www.rippingtons.com. The Rippingtons are an American contemporary jazz group, mainly relating to the genres smooth jazz, jazz fusion, jazz pop, and crossover jazz. Formed in 1985 by guitarist and band leader Russ Freeman, their career has spanned more than three decades. With a revolving door of musicians, Freeman has been the only consistent ...
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
The music. Mingus Moves (Atlantic SD 1653) is one of the late works of American jazz bassist, composer, and bandleader Charles Mingus. He hired three new musicians for the recording: Don Pullen on piano; Ronald Hampton on trumpet, and George Adams on tenor saxophone. Drummer Dannie Richmond, a stalwart of Mingus's bands in the 1950s and '60s ...
MJQ & Friends: A 40th Anniversary Celebration is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in New York City, Los Angeles and at the Montreux Jazz Festival with guest artists including Bobby McFerrin, Take 6, Phil Woods, Wynton Marsalis, Illinois Jacquet, Harry "Sweets" Edison, Branford Marsalis, Jimmy Heath, Freddie Hubbard and Nino Tempo and ...
At times, even Lloyd Webber gets into the Wilder swing. Both acts open with joltingly angry diatribes about Hollywood, part exposition-packed recitative and part song, in which the surprisingly dark, jazz-accented music, the most interesting I've yet encountered from this composer, meshes perfectly with the cynical lyrics.
Michael G. Nastos of AllMusic called the recording "a classic east meets west, cool plus hot but never lukewarm combination that provides many bright moments for the quartet during this exceptional date from that great year in music, 1957." [5] Becky Byrkit, writing for The All Music Guide, deemed the album "a diamond of recorded jazz history." [2]