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Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Allmusic found the album "an entirely pleasant listen" and praised the jazz quartet backing Scaggs, but rated the album as poor, citing Scaggs' "sometimes too casual" phrasing and criticizing his approach as predictable rather than fresh; [2] on the other hand, it reached #1 on the Billboard Top Jazz Albums chart, and was a "critical and commercial triumph".
Beautiful Love (1931 song) " Beautiful Love " is a popular song composed by Wayne King, Victor Young and Egbert Van Alstyne with lyrics by Haven Gillespie. It was introduced by the Wayne King Orchestra in 1931. The song has been called the "second favourite number" of King, after the Orchestra's theme song "The Waltz You Saved for Me".
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
Miles in Tokyo. (1969) In a Silent Way is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis, released on July 30, 1969, on Columbia Records. Produced by Teo Macero, the album was recorded in one session date on February 18, 1969, at CBS 30th Street Studio in New York City. Macero edited and arranged Davis's ...
1940. Trumpeter Dizzy Gillespie was one of the leading figures of bebop. Standards composed by him include "A Night in Tunisia" (1942), "Woody N' You" (1942), and "Groovin' High" (1944). "After Hours" [4] is a song composed by Avery Parrish with lyrics by Robert Bruce and Buddy Feyne.
Roberta Joan "Joni" Mitchell CC (née Anderson; born November 7, 1943) is a Canadian-American singer-songwriter, multi-instrumentalist, and painter.As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions which grew to incorporate pop and jazz elements. [1]