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Freddie Freeloader is a modal jazz composition by Miles Davis from his 1959 album Kind of Blue. It is a twelve-bar blues with a distinctive chord change at the end of each chorus, and features solos by Davis, Coltrane, Adderley, Kelly and Chambers.
—Brian Wilson, 1989 The lyrics describe a man who reflects on his former love interest and the loss of her innocence, asking, "Where did your long hair go? Where is the girl I used to know? How could you lose that happy glow?" At the end of the song, the singer asks if they could ever work together to bring back "the things that made me love you so much then", before pleading, "Oh, Caroline ...
Donna Lee is a bebop jazz standard attributed to Charlie Parker, but possibly composed by drummer Norman "Tiny" Khan and taught to Miles Davis. Learn about its authorship, recordings, name origin, and Grammy award.
Mingus Moves (Atlantic SD 1653) is one of the late works of American jazz bassist, composer, and bandleader Charles Mingus.He hired three new musicians for the recording: Don Pullen on piano; Ronald Hampton on trumpet, and George Adams on tenor saxophone.
A contrafact is a musical composition based on the chord progression of another song. Learn about the history, examples and notable jazz artists who used contrafacts in their works.
Ralph Sharon was a British-American jazz pianist and arranger who worked with Tony Bennett for over 50 years. He found the song "I Left My Heart in San Francisco" for Bennett and played with him on many Grammy Award-winning recordings and live performances.
Invitation is a jazz standard composed by Bronisław Kaper and Paul Francis Webster for the 1950 film A Life of Her Own. It has been recorded by many jazz musicians, such as John Coltrane, Rosemary Clooney, and Quincy Jones.
Learn about the 1932 jazz standard composed by Hoagy Carmichael and based on two earlier songs. Find out the history, recordings and covers of this classic tune.