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Dazzle camouflage. Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John ...
Occupation (s) Dancer, choreographer, teacher. Eugene Louis Faccuito (March 20, 1925 – April 7, 2015), known professionally as Luigi, was an American jazz dancer, choreographer, teacher, and innovator who created the jazz exercise technique. The Luigi Warm Up Technique is a training program that promotes body alignment, balance, core strength ...
Contrasts. (1980) Crosscurrent. (1981) Contrasts is an album by American jazz saxophonist Sam Rivers recorded in December 1979 and released on ECM the following year. The quartet features trombonist George E. Lewis and rhythm section Dave Holland and Thurman Barker.
Jazz. (Henri Matisse) Henri Matisse ’s Jazz is a limited-edition art book containing prints of colorful cut- paper collages, accompanied by the artist's written thoughts. It was first issued on September 30, 1947, by art publisher Tériade. The portfolio, characterized by vibrant colors, poetic texts, and circus and theater themes, marks ...
Motion camouflage is camouflage which provides a degree of concealment for a moving object, given that motion makes objects easy to detect however well their coloration matches their background or breaks up their outlines. The principal form of motion camouflage, and the type generally meant by the term, involves an attacker's mimicking the ...
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
After moving to California from New York in the early 1980s, Cooling began sitting in on the percussion classes of Ghanaian drummer C. K. Ladzekpo. [2] Integrating the polyrhythms of West African music with her passion for melody and harmony, Cooling focused her attention on guitar and taught herself to play by ear.
It is debatable whether Marsalis' critical and commercial success was a cause or a symptom of the reaction against Fusion and Free Jazz and the resurgence of interest in the kind of jazz pioneered in the 1960s (particularly modal jazz and post-bop); nonetheless there were many other manifestations of a resurgence of traditionalism, even if ...