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This chapter begins by pointing out the way that technological developments (radio and recordings), and the economic lift they provided to musicians, generated crosscurrents in jazz, resulting in a move towards jazz orchestras, the big bands, by the end of the 1920s. Schuller then considers two sites of big band activity: New York and Kansas City.
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
The Association for the Advancement of Creative Musicians (AACM) is a nonprofit organization, founded in 1965 in Chicago by pianist Muhal Richard Abrams, pianist Jodie Christian, drummer Steve McCall, and composer Phil Cohran. [1] The AACM is devoted "to nurturing, performing, and recording serious, original music," according to its charter.
It ranges from the combination of live instrumentation with the beats of jazz house (as exemplified by St Germain, Jazzanova, and Fila Brazillia) to more band-based improvised jazz with electronic elements (for example, The Cinematic Orchestra, Kobol and the Norwegian "future jazz" style pioneered by Bugge Wesseltoft, Jaga Jazzist, and Nils ...
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
Avant-garde jazz. Avant-garde jazz (also known as avant-jazz, experimental jazz, or "new thing") [1][2] is a style of music and improvisation that combines avant-garde art music and composition with jazz. [3] It originated in the early 1950s and developed through to the late 1960s. [4] Originally synonymous with free jazz, much avant-garde jazz ...
Orchestral jazz or symphonic jazz is a form of jazz that developed in New York City in the 1920s. Early innovators of the genre, such as Fletcher Henderson and Duke Ellington, include some of the most highly regarded musicians, composers, and arrangers in all of jazz history. [ 1 ] The fusion of jazz's rhythmic and instrumental characteristics ...
Two-time winner Ella Fitzgerald. Two-time winner Bill Evans. 1974 award-winner Art Tatum. Two-time winner Dizzy Gillespie. Four-time winner Oscar Peterson. 1982 winner John Coltrane. Three-time winner Miles Davis. Three-time winner Wynton Marsalis. Six-time winner Michael Brecker.