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  2. Jazz improvisation - Wikipedia

    en.wikipedia.org/wiki/Jazz_improvisation

    Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...

  3. Harmolodics - Wikipedia

    en.wikipedia.org/wiki/Harmolodics

    Harmolodics is a musical philosophy and method of musical composition and improvisation developed by American jazz saxophonist-composer Ornette Coleman. His work following this philosophy during the late 1970s and 1980s inspired a style of forward-thinking jazz-funk known as harmolodic funk. [1] It is associated with avant-garde jazz and free ...

  4. Lydian Chromatic Concept of Tonal Organization - Wikipedia

    en.wikipedia.org/wiki/Lydian_Chromatic_Concept...

    Russell's original six Lydian scales [1] The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode.

  5. Yes, and... - Wikipedia

    en.wikipedia.org/wiki/Yes,_And...

    Participants in an improvisation are encouraged to agree to a proposition, fostering a sense of cooperation [2] rather than shutting down the suggestion and effectively ending the line of communication. In an organizational setting, saying "Yes" in theory encourages people to listen and be receptive to the ideas of others.

  6. Tritone substitution - Wikipedia

    en.wikipedia.org/wiki/Tritone_substitution

    Play ⓘ. A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7[7] (which could also be called ♭ V 7 /V, subV 7, [7] or V 7 / ♭ V [7]). For ...

  7. Coltrane changes - Wikipedia

    en.wikipedia.org/wiki/Coltrane_changes

    "What Is This Thing Called Love") the standard substitution is implied over an ostinato bass pattern with no chordal instrument instructed to play the chord changes. When Coltrane's improvisation superimposes this progression over the ostinato bass, it is easy to hear how he used this concept for his more free playing in later years.

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