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The poem is characterized by its use of the montage, a cinematic technique of quickly cutting from one scene to another in order to juxtapose disparate images, and its use of contemporary jazz modes like boogie-woogie, bop and bebop, both as subjects in the individual short poems and as a method of structuring and writing the poetry. [5]
Jazz poetry has been defined as poetry that "demonstrates jazz -like rhythm or the feel of improvisation" [1] and also as poetry that takes jazz music, musicians, or the jazz milieu as its subject. [2] Some critics consider it a distinct genre though others consider the term to be merely descriptive.
The poem's subject spends 40 days and nights in a desert and each day of the desert is limited to a poem of five pages, each day being its own poem within the greater whole. Every day, the gender-warping subject of the poem has a new area of exploration and revelation, and the poem brings the reader through the highs and lows, the turmoil and ...
Avant-garde jazz. Avant-garde jazz (also known as avant-jazz, experimental jazz, or "new thing") [1][2] is a style of music and improvisation that combines avant-garde art music and composition with jazz. [3] It originated in the early 1950s and developed through to the late 1960s. [4] Originally synonymous with free jazz, much avant-garde jazz ...
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [200]
Jazz poetry: 1920s -> Jazz pop: Jazz rap: Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s -> Jazz rock: The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz ...
Part way through the sessions, he replaced his musicians to create a less jazz-oriented sound; [93] for the album, he switched from a piano to an electric guitar as his main instrument. [94] For the album's back cover, Waits used a picture of himself and Jones leaning against his car, a 1964 Ford Thunderbird, taken by Elliot Gilbert. [95]
—F. Scott Fitzgerald, "Echoes of the Jazz Age" "Echoes of the Jazz Age" is a short essay by American writer F. Scott Fitzgerald that was first published in Scribner's Magazine in November 1931. The essay analyzes the societal conditions in the United States which gave rise to the raucous historical era known as the Jazz Age and the subsequent events which led to the era's abrupt conclusion ...