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These chord shapes can be moved across the fretboard, unlike the chord shapes of standard tuning. More movable chord-shapes. In all guitar tunings, the higher-octave version of a chord can be found by translating a chord by twelve frets higher along the fretboard. [6] In every regular tuning, for example in all-fourths tuning, chords and ...
English: A chord chart for beginner ukulele players that demonstrates the correct fingerings to play the 36 basic chords. Whereas most chord charts display the fretboard vertically to save space, here the fretboard is intentionally horizontal (as how a ukulele is held) to make it easier for beginners (the target audience of this chart) to use.
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
The changes serve as a pattern of chord substitutions for the ii–V–I progression (supertonic–dominant–tonic) Play ⓘ and are noted for the tonally unusual root movement by major thirds (either up or down by a major third interval), creating an augmented triad.
At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.
Some sources notate slash chords with a horizontal line, [3] although this is discouraged as this type of notation can also imply a polychord.While almost all pop and rock usages of slash chords are intended to be read as a chord with a bass note underneath it other than the root of the chord, in jazz and jazz fusion, sometimes a chord notated as F/A is intended to be read as a polychord; in ...
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