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Digital Cinema Initiatives, LLC (DCI) is a consortium of major motion picture studios, formed to establish specifications for a common systems architecture for digital cinema systems. The organization was formed in March 2002 by Metro-Goldwyn-Mayer, [a] Paramount Pictures, Sony Pictures, 20th Century Studios, [b] Universal Studios, Walt Disney ...
In addition to the equipment already found in a film-based movie theatre (e.g., a sound reinforcement system, screen, etc.), a DCI-compliant digital cinema requires a DCI-compliant [32] digital projector and a powerful computer known as a server. Movies are supplied to the theatre as a set of digital files called a Digital Cinema Package (DCP ...
DCI-P3 is a color space defined in 2005 as part of the Digital Cinema Initiative, for use in theatrical digital motion picture distribution [1] (DCDM [2]). Display P3 is a variant developed by Apple Inc. for wide-gamut displays.
This resolution is used mainly in digital cinema production, and has a total of 8,847,360 pixels with an aspect ratio of 256∶135 (≈19∶10). It was standardized as the resolution of the 4K container format defined by Digital Cinema Initiatives in the Digital Cinema System specification, and is the native resolution of all DCI-compliant 4K ...
A Digital Cinema Package (DCP) is a collection of digital files used to store and convey digital cinema (DC) audio, image, and data streams. The term was popularized by Digital Cinema Initiatives, LLC in its original recommendation [1] for packaging DC contents. However, the industry tends to apply the term to the structure more formally known ...
The DCI standard for cinema usually relies on a 1.89:1 aspect ratio, thus defining the maximum container size for 4K as 4096×2160 pixels and for 2K as 2048×1080 pixels. When distributed in the form of a Digital Cinema Package (DCP), content is letterboxed or pillarboxed as appropriate to fit within one of these container formats.
In modern cinema, another common 2K resolution is 2048 × 1080. This is the resolution of the 2K container format standardized by DCI in their Digital Cinema System Specification in 2005. [ 2 ] [ 3 ] The resolution of the encapsulated video content follows the SMPTE 428-1 standard, [ 6 ] : §3.2.1 which establishes the following resolutions for ...
The DCI Specification continues to be the core specification for digital cinema, establishing the baseline technology and system requirements for which studios will release digital movies. The first set of VPF agreements executed with four major studios were announced by Christie/AIX in November 2005. [4]