Search results
Results From The WOW.Com Content Network
Coleman was born Randolph Denard Ornette Coleman on March 9, 1930, in Fort Worth, Texas, [6] where he was raised. [7] [8] [9] He attended I.M. Terrell High School in Fort Worth, where he participated in band until he was dismissed for improvising during John Philip Sousa's march "The Washington Post".
Jazz at Lincoln Center is part of Lincoln Center in New York City. The organization was founded in 1987 and opened at the then-Time Warner Center (now the Deutsche Bank Center) in October 2004. Wynton Marsalis is the artistic director and the leader of the Jazz at Lincoln Center Orchestra. The center hosts performances by the orchestra and by ...
The Empty Foxhole is an album by the American jazz saxophonist and composer Ornette Coleman that was released on the Blue Note label in 1966. [1] The album features Coleman's untutored violin and trumpet as well as performing on his usual instrument, the alto saxophone, and marks the recording debut of his drummer son Denardo Coleman, who was ten years of age at the time.
The Shape of Jazz to Come is the third album by the jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. [3] The recording session for the album took place on ...
A− [6] Free Jazz: A Collective Improvisation is an album by the jazz saxophonist and composer Ornette Coleman. It was released through Atlantic Records in September 1961: the fourth of Coleman's six albums for the label. Its title named the then-nascent free jazz movement.
1985: Song X (Geffen, 1986) 1987: In All Languages (Caravan of Dreams, 1987) 1988: Virgin Beauty (Portrait, 1988) 1992: Naked Lunch with Howard Shore, The London Philharmonic Orchestra (Milan, 1992) – soundtrack. 1995: Tone Dialing (Harmolodic / Verve, 1995) 1996: Sound Museum: Hidden Man (Harmolodic/Verve, 1996)
Dancing in Your Head was voted the 15th best album of the year in The Village Voice ' s annual Pazz & Jop critics poll for 1977. [11] It was the first album by a jazz artist to make the poll. Robert Christgau, the poll's creator, ranked it number 11 on his own year-end list. [12]
Ornette Coleman (1981) According to The Concise Oxford Dictionary of Music (2004), Of Human Feelings features jazz-funk, a type of music that developed at the turn of the 1970s and was characterized by intricate rhythmic patterns, a recurrent bass line, and Latin rhythmic elements. Lloyd Sachs of the Chicago Sun-Times wrote that, although Coleman was not viewed as a jazz fusion artist, the ...