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This is presented as an episode (titled "Cut 'Em Off at the Past") of a fictional 1940s radio drama, Nick Danger, Third Eye, broadcast on December 7, 1941. Nick Danger (Phil Austin) is a '40s-style hardboiled private investigator in the Raymond Chandler mold. In live performances and photographs, he wears the stereotypical fedora and trench coat.
MGM had become aware by April that the film would not recoup its cost and started to write off its losses. [27] By May it had written off $3 million on the film. [28] Ultimately the movie earned $1,600,000 in theatrical rentals in the US and Canada and $2,500,000 overseas. When costs of prints and advertising were added, the studio recorded a ...
After a one week developmental production at Lucille Lortel's White Barn Theater in Westport, Connecticut, Secrets Every Smart Traveler Should Know opened Off-Broadway at the Triad Theater on October 30, 1997. The cast included James Darrah, Kathy Fitzgerald, Stan Freeman, Jay Leonhart, Liz McConahay and Michael McGrath. [1]
To rent or to buy? It’s an age-old question that has garnered plenty of debate in recent decades. But one thing is for sure: there’s a certain societal pressure to purchase real estate.
This 7 min 19 sec track segues into a future world in which the 1960s hippie counterculture has now replaced the mainstream cultural establishment. Police (Proctor and Bergman) patrol searching for "non-groovy" people not in possession of drugs, such as a grandmother (Austin) whom they arrest to be "returned for re-grooving".
McQueen explains that she and her friend were earning the same salary and her friend initially agreed to the breakdown of rent and other costs before moving in with her in 2016.
Nearly half the time, it fails. Voucher program is supposed to help poor families rent a home. Nearly half the time, it fails. By the time Kimberly Loper, 28, got the news that she would receive a ...
United States v. Paramount Pictures, Inc., 334 U.S. 131 (1948) (also known as the Hollywood Antitrust Case of 1948, the Paramount Case, or the Paramount Decision), was a landmark United States Supreme Court antitrust case that decided the fate of film studios owning their own theatres and holding exclusivity rights on which theatres would show their movies.