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[1] [2] Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". [1] Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a compositional style based on four-note groups over each change.
1936. Genre. Jazz. Composer (s) Juan Tizol, Duke Ellington. Lyricist (s) Irving Mills. " Caravan " is an American jazz standard that was composed by Juan Tizol and Duke Ellington and first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The Jazz Festival — scheduled from noon to 9 p.m. Saturday at the Bridge Space in downtown Lee’s Summit — will include eight live acts, artist booths and food trucks.
Arbors, Blue Note / EMI. David Lee Frishberg (March 23, 1933 – November 17, 2021) was an American jazz pianist, vocalist, composer, and lyricist. His songs have been performed by Blossom Dearie, Rosemary Clooney, Shirley Horn, [1] Anita O'Day, Michael Feinstein, Irene Kral, Diana Krall, Rebecca Kilgore, Stacey Kent, Bette Midler, John ...
By the mid-1970s, the sound known as jazz-funk had developed, characterized by a strong back beat , electrified sounds [203] and, often, the presence of electronic analog synthesizers. Jazz-funk also draws influences from traditional African music, Afro-Cuban rhythms and Jamaican reggae , notably Kingston bandleader Sonny Bradshaw .
The Shape of Jazz to Come is the third album by the jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. [3] The recording session for the album took place on ...
In one instance, the sounds of the three musicians are encapsulated in a flurry of three-dimensional shapes landing on a pinkish feather; in another, a bird-like design flaps its wings in tempo. The goal was to stimulate the eye by capturing the rhythmic energy produced by sound and transferring it onto film through abstract images of colour ...