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In jazz improvisation, outside playing describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, [1] and polytonality. [2]
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
The Complete Thesaurus of Musical Scales, revised edition. New York: Masaya Music Services. ISBN 0-9676353-0-6. Yamaguchi, Masaya. 2006. Symmetrical Scales for Jazz Improvisation, revised edition. New York: Masaya Music Services. ISBN 0-9676353-2-2. Yamaguchi, Masaya. 2012. Lexicon of Geometric Patterns for Jazz Improvisation.
Symmetric scale. In music, a music scale can have certain symmetries, namely translational symmetry and inversional or mirror symmetry. The most prominent examples are scales which equally divides the octave. [1] The concept and term appears to have been introduced by Joseph Schillinger [1] and further developed by Nicolas Slonimsky as part of ...
The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
Joe Riposo. Joseph Riposo is a saxophonist, composer, arranger, and was an educator at Syracuse University. He was the Director of Jazz Studies at Syracuse University and directed the Morton B. Schiff Jazz Ensemble. He has played with Tony Bennett, Sammy Davis Jr., Nat King Cole, Ella Fitzgerald, the Mcguire Sisters, the Woody Herman Band ...
Sheets of sound. Sheets of sound was a term coined in 1958 by DownBeat magazine jazz critic Ira Gitler to describe the new, unique improvisational style of John Coltrane. [1] [2] Gitler first used the term on the liner notes for Soultrane (1958). [3]
George Allen Russell (June 23, 1923 – July 27, 2009) was an American jazz pianist, composer, arranger and theorist. He is considered one of the first jazz musicians to contribute to general music theory with a theory of harmony based on jazz rather than European music, in his book Lydian Chromatic Concept of Tonal Organization (1953).