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If light entering the camera is already linearly polarized, it can upset the exposure or autofocus systems. Circular polarizing filters cut out linearly polarized light and so can be used to darken skies, improve saturation and remove reflections, but the circular polarized light it passes does not impair through-the-lens systems. [13]
A polarizing filter or polarising filter (see spelling differences) is a filter that is often placed in front of a camera lens in photography in order to darken skies, manage reflections, or suppress glare from the surface of lakes or the sea. Since reflections (and sky-light) tend to be at least partially linearly-polarized, a linear polarizer ...
A polarized 3D system uses polarization glasses to create the illusion of three-dimensional images by restricting the light that reaches each eye (an example of stereoscopy ). To present stereoscopic images and films, two images are projected superimposed onto the same screen or display through different polarizing filters.
RealD 3D cinema technology is a polarized 3D system that uses circularly polarized light to produce stereoscopic image projection. The advantage of circular polarization over linear polarization is that viewers are able to tilt their head and look about the theater naturally without seeing double or darkened images. [3]
An active shutter 3D system (a.k.a. alternate frame sequencing, alternate image, AI, alternating field, field sequential or eclipse method) is a technique of displaying stereoscopic 3D images. It works by only presenting the image intended for the left eye while blocking the right eye's view, then presenting the right-eye image while blocking ...
A professional video camera (often called a television camera even though its use has spread beyond television) is a high-end device for creating electronic moving images (as opposed to a movie camera, that earlier recorded the images on film ). Originally developed for use in television studios or with outside broadcast trucks, they are now ...
Stereoscopy is the production of the illusion of depth in a photograph, movie, or other two-dimensional image by the presentation of a slightly different image to each eye, which adds the first of these cues ( stereopsis ). The two images are then combined in the brain to give the perception of depth.
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