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Learn about the musical modes or scales that fulfill specific criteria relating to their symmetry and the repetition of their interval groups. These modes were compiled by the French composer Olivier Messiaen, and have different numbers of transpositions and modes.
In music, a music scale can have certain symmetries, namely translational symmetry and inversional or mirror symmetry. The most prominent examples are scales which equally divides the octave . [ 1 ] The concept and term appears to have been introduced by Joseph Schillinger [ 1 ] and further developed by Nicolas Slonimsky as part of his famous ...
Coltrane changes are a pattern of chord substitutions for the ii–V–I progression, named after jazz musician John Coltrane who popularized them. They involve root movement by major thirds, creating augmented triads and modulation by thirds, and have influences from Indian ragas, Ravel, and other sources.
Learn how to identify and notate chord inversions, which are rearrangements of the notes in a chord based on their intervals. Find out the rules, examples, and conventions for root position, first and second inversions, and figured bass.
Learn about the different types of jazz scales, such as modes, whole tone, octatonic and bebop scales, and how they are compatible with chords. Find out the theory and examples of jazz scales and avoid notes, and how they differ from classical harmony.
A song by the Beatles from the album Help!, written and sung by Paul McCartney. It is a cheerful love ballad with country and western influences, inspired by his relationship with Jane Asher.
Symmetry is an invariance of an object under a transformation, such as reflection, rotation, or translation. Learn about different types of symmetries in geometry, such as reflectional, rotational, and translational symmetry, and their groups and examples.
Side-slipping is a method of playing outside, which involves playing over a scale, mode or chord that is harmonically distant from the given chord. Learn about different types of side-slipping, such as playing only the non-scale notes, adding distant ii–V relationships, or playing in a scale a half-step above or below a chord.