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Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
But critic Joachim-Ernst Berendt argues that its terms of reference and its definition should be broader, [15] defining jazz as a "form of art music which originated in the United States through the confrontation of the Negro with European music" [16] and arguing that it differs from European music in that jazz has a "special relationship to ...
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s ->. Jazz rock. The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s ->.
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
West Coast jazz. Cool jazz is a style of modern jazz music inspired by bebop and big band [1] that arose in the United States after World War II. It is characterized by relaxed tempos and a lighter tone than that used in the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music.
The following outline is provided as an overview of and topical guide to jazz: Jazz – musical style that originated at the beginning of the 20th century in African American communities in the Southern United States, mixing African music and European classical music traditions. Jazz is a music genre that originated from African American ...
This chapter begins by pointing out the way that technological developments (radio and recordings), and the economic lift they provided to musicians, generated crosscurrents in jazz, resulting in a move towards jazz orchestras, the big bands, by the end of the 1920s. Schuller then considers two sites of big band activity: New York and Kansas City.
[1] On June 16, 1972, the New York Jazz Museum opened in New York City at 125 West 55th Street in a one and one-half story building. It became the most important institution for jazz in the world with a 25,000 item archive, free concerts, exhibits, film programs, etc. Carlos Santana, one of the pioneers of the Latin jazz-fusion genre