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One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
Cognitive theories of learning, often viewed as the antithesis of behavioral theories, [13] attempt to map how individual learning processes relate to already-familiar knowledge. [13] Gestalt psychology serves as the foundation for many applications to music learning theory. Fred Lerdahl and Ray Jackendoff (1983) theorized on musical grammar ...
In modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Music theory is often concerned with abstract musical aspects such as tuning and tonal systems, scales, consonance and dissonance, and rhythmic relationships. In addition, there is also a body of theory concerning practical aspects ...
Aristotle divides the art of poetry into verse drama ( comedy, tragedy, and the satyr play ), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: Differences in music rhythm, harmony, meter, and melody.
Slaget vid Leipzig (The Battle of Leipzig, 1828); Elfenspiel (Play of the Elves , 1841); Ernste und heitere Grillen (Serious and Merry Whims , 1842); Erinnerung an die norwegischen Alpen (Reminiscence of the Norwegian Mountains, 1842)
This is a list of some poems that have been subsequently set to music. In the classical music tradition, this type of setting may be referred to as an art song. A poem set to music in the German language is called a lied, or in the French language, a Mélodie.
Songs of Experience is a collection of 26 poems forming the second part of Songs of Innocence and of Experience. The poems were published in 1794 (see 1794 in poetry ). Some of the poems, such as "The Little Girl Lost" and "The Little Girl Found", were moved by Blake to Songs of Innocence and were frequently moved between the two books. [ note 1]
Pierrot lunaire is among Schoenberg's most celebrated and frequently performed works. Its instrumentation – flute, clarinet, violin, cello, and piano with standard doublings and in this case with the addition of a vocalist – is an important ensemble in 20th- and 21st-century classical music and is referred to as a Pierrot ensemble .