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In a review in Journal of the American Musicological Society, William W. Austin wrote: "Schuller knows his subject as probably no one else does." In a review in The American Historical Review, George A. Boeck wrote: "Gunther Schuller's history of early jazz is the most scholarly and perceptive work on the subject to date."
Masaya Yamaguchi is also known as a scholar and researcher of the music of Charlie Parker and John Coltrane. David Damsey is a co-author of John Coltrane Plays Coltrane Changes [10] and a professor of music and coordinator of jazz studies at William Paterson University .
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar ...
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [ 1] Sometimes musical ideas in improvisation are spontaneous, but may ...
Charlie Banacos (August 11, 1946 – December 8, 2009 [1]) was an American pianist, composer, author and educator, concentrating on jazz . Banacos created over 100 courses of study for improvisation and composition. His concepts of teaching and his courses influenced educators since the late 1950s. He was the original author of courses named ...
The Jazz Age was a period in the 1920s and 30s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in wider ...
Grigson began playing jazz at the age of 12 [15] at school at Dartington. [16] During the early 1960s, he was co-leader of the award-winning Cambridge University Jazz Band [17] that included Art Themen (who has acknowledged Grigson's "off-the-wall" influence, [18] [19] saying of him: "He kind of sprang from the womb knowing the rudiments of bebop"), [11] Dave Gelly, John Hart and Jonathan Lynn.
He published over 50 books on jazz technique and jazz language. His book Jazz Improvisation: A Whole Brain Approach uses research in "hemisphericity" or lateralization of brain function to teach jazz improvisation. [4] He is a contract writer for four publishers: Walrus Music, E -Jazzline, Increase Music, and Jamey Aebersold Jazz.