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Basie Straight Ahead is an album recorded at TTG Studios, Hollywood, California in October 1968 featuring Count Basie and his orchestra. This album marked the first collaboration between Basie and his long-time orchestrator, Sammy Nestico, who composed, arranged and conducted all of the songs on the record. [3]
Rhythm changes. Rhythm changes is a common 32- bar jazz chord progression derived from George Gershwin 's "I Got Rhythm". The progression is in AABA form, with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 ...
Walking in Rhythm. " Walking in Rhythm " is a smooth rhythm and blues and jazz song by the Blackbyrds. It tells the tale of a man who is passionate about getting back home to his female companion. The song charted in March 1975 and reached number six on the US Billboard Hot 100 and number twenty three on the UK Singles Chart in June.
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of ...
Soprano ukulele being played. The ukulele ( / ˌjuːkəˈleɪli / YOO-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ], approximatelyOO-koo-LEH-leh ), also called a uke, is a member of the lute family of instruments of Portuguese origin and popularized in Hawaii. It generally employs four nylon strings.
Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. [1] Compositions were written but were also intended to be improvised. [1] The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. [2] The left hand characteristically plays a four-beat pulse ...
Style. The composition, in the words of jazz writer, Donald Clarke, is "an object lesson in how to swing at a slow tempo." Gary Giddins expands on the importance of tempo in the performance of 'Lil' Darlin,' saying that "in the enduring 'Li ' l Darlin', [Hefti] tested the band's temporal mastery with a slow and simple theme that dies if it isn't played at exactly the right tempo.
Jazz improvisation by Col Loughnan (tenor saxophone) at the Manly Jazz Festival with the Sydney Jazz Legends. Loughnan was accompanied by Steve Brien (guitar), Craig Scott (double bass, face obscured), and Ron Lemke (drums). Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music.