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Allmusic's Matt Collar rated the album four stars and stated, "Loose, swinging, funky, and spirited, Live at the House of Tribes is an absolute joy." [3] Jazz critic Ben Ratliff of the New York Times says of the album, "Throughout the record, the playing almost never goes outside of tonality, and the rhythm section holds fast to swing.
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [200]
In recent years, Gisbert has become an active and highly respected jazz educator, teaching at festivals and conducting clinics across the United States. He also had two stints on the Jazz faculty at the University of Miami in the 2000s. He has also branched out in producing; bringing the up-and-coming conductor and composer, Chie Imiazumi, to ...
On All About Jazz, Mark F. Turner said "there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and ...
Professional ratings. At Grace Cathedral (also known as Vince Guaraldi at Grace Cathedral and The Grace Cathedral Concert) is a live performance album by jazz pianist Vince Guaraldi, released in the U.S. in September 1965 on Fantasy Records . The performance was recorded live at Grace Cathedral in San Francisco, California on May 21, 1965.
For instance, jazz musicians have adopted Bach's music, with Jacques Loussier, Ian Anderson, Uri Caine, and the Modern Jazz Quartet among those creating jazz versions of his works. [115] Several 20th-century composers referred to Bach or his music, for example Eugène Ysaÿe in Six Sonatas for solo violin , Dmitri Shostakovich in 24 Preludes ...
Midnight at Minton's is an album by jazz musician Don Byas, first released in 1973. It is a live recording of a 1941 jam session at Minton's Playhouse, the New York City nightclub at which the emerging style of bebop was being pioneered. It features one of the earliest known recordings of Thelonious Monk, who was then playing piano in Minton's ...
Maki Asakawa (Japanese: 浅川マキ, Hepburn: Asakawa Maki, January 27, 1942 – January 17, 2010) was a Japanese jazz and blues singer, lyricist and composer. Known as the "Queen of the Underground" (アングラの女王, Angura no Joō), [1] [2] [3] she was an important voice of Japan's urban counterculture.