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Make Me a Pallet on the Floor. " Make Me a Pallet on the Floor " (also " Make Me a Pallet on your Floor ", " Make Me a Pallet ", or " Pallet on the Floor ") is a blues / jazz / folk song. It is considered a standard. [1] As Jelly Roll Morton explained, "A pallet is something that – you get some quilts – in other words, it's a bed that's ...
Miller and Murden wrote the song in 1965 as a slow ballad, and passed it around various singers so that it could be tried out and refined. Among those who, it is claimed, heard and performed the song in about 1966 – but did not record it – are Jo Thompson, a club singer in Detroit; Sherry Kaye, who may have performed it in a musical revue at the Gem Theater; [1] and Johnny Hartman, who ...
Ray Noble. " Cherokee " (also known as " Cherokee (Indian Love Song) ") is a jazz standard written by the British composer and band leader Ray Noble and published in 1938. It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue). [1] Due to the tune incorporating many of the ...
"St. James Infirmary" on tenor sax "St. James Infirmary" is an American blues and jazz standard that emerged, like many others, from folk traditions. Louis Armstrong brought the song to lasting fame through his 1928 recording, on which Don Redman is named as composer; later releases credit "Joe Primrose", a pseudonym used by musician manager, music promoter and publisher Irving Mills. [1]
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Flamenco jazz is a style mixing flamenco and jazz, typified by artists such as Paco de Lucia and Camarón de la Isla. 1960s -> Free funk: A combination of avant-garde jazz with funk music 1970s -> Free jazz: Free improvisation is improvised music without any specific rules. By itself, free improvisation can be any genre, it isn't necessarily jazz.
It is debatable whether Marsalis' critical and commercial success was a cause or a symptom of the reaction against Fusion and Free Jazz and the resurgence of interest in the kind of jazz pioneered in the 1960s (particularly modal jazz and post-bop); nonetheless there were many other manifestations of a resurgence of traditionalism, even if ...
In April 2011, Capitol Records and artist Richard Wyatt Jr. restored his Hollywood Jazz Mural on the south wall of the Capitol Records building. [17] Restored in hand-glazed ceramic tile, the mural spans 26 by 88 feet (7.9 by 26.8 m) [18] Entitled "Hollywood Jazz: 1945-1972", it presents "larger than life" images of a number of notable jazz ...
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