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This chapter begins by pointing out the way that technological developments (radio and recordings), and the economic lift they provided to musicians, generated crosscurrents in jazz, resulting in a move towards jazz orchestras, the big bands, by the end of the 1920s. Schuller then considers two sites of big band activity: New York and Kansas City.
But critic Joachim-Ernst Berendt argues that its terms of reference and its definition should be broader, [15] defining jazz as a "form of art music which originated in the United States through the confrontation of the Negro with European music" [16] and arguing that it differs from European music in that jazz has a "special relationship to ...
Jazz education. Each style and era of jazz adopted new techniques to help educate younger musicians. Early forms of jazz education were more informal. Since the first degree program was founded in 1947, the rise of institutionalized jazz education, resulted in jazz education becoming more formalized and more structured. [1]
Original Dixieland Jass Band. Dominic James " Nick " LaRocca[1] (April 11, 1889 – February 22, 1961), was an American early jazz cornetist and trumpeter and the leader of the Original Dixieland Jass Band, who is credited by some as being "the father of modern jazz". [2] He is the composer of one of the most recorded jazz classics of all-time ...
Jazz Age. The Jazz Age was a period in the 1920s and 30s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in ...
In the early 1940s in jazz, bebop emerged, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk and others. It helped to shift jazz from danceable popular music towards a more challenging "musician's music." Differing greatly from swing, early bebop divorced itself from dance music, establishing itself more as an art form but lessening its ...
Kansas City jazz is popular in these cities. Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard- swinging, bluesy transition style is bracketed by Count Basie, who in 1929 ...
Hawkins's rendition was the first purely jazz recording that became a commercial hit [9] and was inducted into the Grammy Hall of Fame in 1973. [10] The song is the most recorded jazz standard of all time. [4] "But Not for Me" [11] is a song from the Broadway musical Girl Crazy, composed by George Gershwin with lyrics by Ira Gershwin.