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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Acephalous line: a line lacking the first element. Line: a unit into which a poem is divided. Line break: the termination of the line of a poem and the beginning of a new line. Metre (or meter): the basic rhythmic structure of a verse or lines in verse. Metres are influenced by syllables and their "weight".
Key to the ambitions of Paradise Lost as a poem is the creation of a new kind of epic, one suitable for English, Christian morality rather than polytheistic Greek or Roman antiquity. This intention is indicated from the very beginning of the poem, when Milton uses the classical epic poetic device of an invocation for poetic
Rhyme schemes involving words stressed on the third-to-last syllable or earlier in the word are found in some poems but are relatively rare, especially in longer poetry. As in French, two words with the same pronunciation but different meanings can be rhymed, e.g., супру́га ("wife") and супру́га ("husband's").
A text created from lines of a newspaper tourism article. The cut-up technique (or découpé in French) is an aleatory narrative technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by ...
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
Chiastic structure, or chiastic pattern, is a literary technique in narrative motifs and other textual passages. An example of chiastic structure would be two ideas, A and B, together with variants A' and B', being presented as A,B,B',A'. Chiastic structures that involve more components are sometimes called "ring structures" or "ring compositions".
—Edgar Allan Poe "Not the least obeisance made he" (7:3), as illustrated by Gustave Doré (1884) "The Raven" follows an unnamed narrator on a dreary night in December who sits reading "forgotten lore" by the remains of a fire as a way to forget the death of his beloved Lenore. A "tapping at [his] chamber door" reveals nothing, but excites his soul to "burning". The tapping is repeated ...