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Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
Jazz elements such as improvisation, rhythmic complexities and harmonic textures were introduced to the genre and consequently had a big impact in new listeners and in some ways kept the versatility of jazz relatable to a newer generation that did not necessarily relate to what the traditionalists call real jazz (bebop, cool and modal jazz). [200]
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references ...
1920s in jazz. The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. [1] Dances such as the Charleston and the Black Bottom were very popular during ...
— Waits on what his wife brought to his creative process Returning to Los Angeles, Waits and Brennan moved into a Union Avenue apartment. Hoskyns noted that with Brennan, "Waits had found the stabilizing, nurturing companion he'd always wanted", and that she brought him "a sense of emotional security he had never known" before. At the same time, many of his old friends felt cut off after his ...
bradmehldaumusic.com. Bradford Alexander Mehldau (/ ˈmɛlˌdaʊ /; born August 23, 1970) is an American jazz pianist, composer, and arranger. Mehldau studied music at The New School, touring and recording while still a student. He was a member of saxophonist Joshua Redman 's quartet in the mid-1990s, and has led his own trio since the early 1990s.
In the 1980s in jazz, the jazz community shrank dramatically and split. A mainly older audience retained an interest in traditional and straight-ahead jazz styles. Wynton Marsalis strove to create music within what he believed was the tradition, creating extensions of small and large forms initially pioneered by such artists as Louis Armstrong ...