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Ted Gioia (born October 21, 1957) is an American jazz critic and music historian. He is author of eleven books, including Music: A Subversive History, The Jazz Standards: A Guide to the Repertoire, The History of Jazz and Delta Blues. He is also a jazz musician and one of the founders of Stanford University's jazz studies program. [1] [2] [3 ...
544. ISBN. 0199937397. The Jazz Standards: A Guide to the Repertoire is a 2012 book by Ted Gioia documenting what he considers to be the most important tunes in the jazz repertoire. The book is published by Oxford University Press. [1] The book features a range of jazz standards in alphabetical order, [2] from Broadway show tunes by the likes ...
Jean-Baptiste Frédéric Isidor, Baron Thielemans (29 April 1922 – 22 August 2016), known professionally as Toots Thielemans ([tuts tilÉ™mans]), was a Belgian jazz musician. He was mostly known for playing the chromatic harmonica, as well as his guitar and whistling skills, and composing. According to jazz historian Ted Gioia, his most ...
Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. Oxford: Oxford University Press. ISBN 978-0199937394. Gioia, Ted (1998). West Coast Jazz: Modern Jazz in California, 1945-1960. University of California Press. ISBN 978-0-520-21729-4. Gitler, Ira (7 November 1985). Swing to Bop : An Oral History of the Transition in Jazz in the ...
Jazz historian Ted Gioia described Parker's performance of "Parker's Mood" as a "bittersweet lament [that is] as deep a statement of the blues as exists in the jazz tradition". [14] Jazz writer and musician Brian Priestley categorised the piece as a "slow blues masterpiece". [15] By late 2018, there had been at least 90 recordings of Parker's ...
A History of New Orleans Music in 100 Tracks, edited by Ted Gioia (jazz.com) Biographical sketches of New Orleans African American composers B. Barés, E. Dédé, L. Lambert, S. Lambert, J. W. Nickerson, A. J. Piron, and F. V. Seymour, and notes regarding their downloadable music. Site also has notes on 22 downloadable Creole melodies.
Ted Gioia, commenting in West Coast Jazz: Modern Jazz in California, 1945-1960, has referred to the original recording as a "sinuous blues", a 12-bar blues that is a "further testimony to the subtlety of Parker's rhythmic phrasing". Gioia considers it to have been one of the finest recordings Parker made in California. [6]
Writing for the now defunct jazz magazine Jazz.com in December 2007, Ted Gioia rated the track "Bremen, Germany, July 12, 1973, Part I" 100/100, stating: [12] Jazz musicians have always emphasized improvisation in their work. But few have taken this reliance on spontaneous creation to the lengths Keith Jarrett has assayed in his solo concerts.
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