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Conception. "Poupée de cire, poupée de son" music and French Lyrics were written by Serge Gainsbourg for France Gall. Its melody was inspired by the 4th movement (Prestissimo in F minor) from Beethoven 's Piano Sonata No. 1. As is common with Gainsbourg's lyrics, the words are filled with double meanings, wordplay, and puns.
Hymne à l'amour ( French pronunciation: [imn a lamuʁ] ), or Hymn to Love, is a 1949 French song with words by Édith Piaf and music by Marguerite Monnot. It was first sung by Piaf that year and recorded by her in the 1950s for Columbia records. Piaf sang it in the 1951 French musical comedy film Paris chante toujours ( Paris still sings ).
La Vie en rose. "La Vie en rose" ( French for 'Life in pink'; pronounced [la vi ɑ̃ ʁoz]) is the signature song of popular French singer Édith Piaf, written in 1945, [ 1] popularized in 1946, and released as a single in 1947. The song became very popular in the United States in 1950, when seven versions reached the Billboard charts.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
You Never Can Tell (song) " You Never Can Tell ", also known as " C'est La Vie " or " Teenage Wedding ", is a song written by Chuck Berry. It was composed in the early 1960s while Berry was in federal prison for violating the Mann Act. [ 2] Released in 1964 on the album St. Louis to Liverpool and the follow-up single to Berry's final Top Ten ...
Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica.
By far the best known recording of "West End Blues" is the 3-minute-plus, 78 rpm recording made by Louis Armstrong and His Hot Five on June 28, 1928. Gunther Schuller devoted page after page to it in his book Early Jazz, writing, “The clarion call of “West End Blues’ served notice that jazz had the potential capacity to compete with the highest order of previously known musical ...
"La Vie en Rose", which is composed in the key of F Major with a tempo of 116 bpm, [4] is described as a vibrant, groovy electropop track. Captivating from the get-go, "La Vie en Rose" blends a wide range of elements – ambient synths, stomping beats, tinny snare and echoing strings drive much of the track – in its attempt at achieving midtempo pop perfection.
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